Lynne Dawson

Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano)

Messiah: Part II. Recitative "He was cut off out of the land" (soprano)

Messiah: Part II. Aria "But thou didst not leave" (soprano)

Messiah: Part II. Aria "How beautiful are the feet" (soprano)

Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano)

Messiah: Part III. Aria "If God be for us" (soprano)

Timon of Athens, The cares of lovers, their alarms, their sighs, their tears

Timon of Athens, But ah! how much are our delights more dear

Timon of Athens, Love in their little veins inspires their cheerful notes

Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing

Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna"

Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus"

Carmina Burana: III. Cour d’amours: Amor volat undique

Carmina Burana: III. Cour d’amours: Stetit puella

Carmina Burana: III. Cour d’amours: In trutina

Carmina Burana: III. Cour d’amours: Tempus est iocundum

Carmina Burana: III. Cour d’amours: Dulcissime

Anthem 1 “O Be Joyful in the Lord”: Be ye sure that the Lord he is Lord

Anthem 1 “O Be Joyful in the Lord”: For the Lord is gracious

Anthem 3 “Have Mercy Upon Me”: Wash me thoroughly from my wickedness

Anthem 3 “Have Mercy Upon Me”: Make me a clean heart, O God

Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu"

Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)

Dido & Aeneas Act I: Grief increases by concealing (Belinda)

Dido & Aeneas Act I: Whence could so much virtue spring? (Dido)

Dido & Aeneas Act I: See, your Royal Guest appears (Belinda)

Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas)

Dido & Aeneas Act III: Your counsel all is urged in vain (Dido)

Dido & Aeneas Act III: Thy hand, Belinda (Dido)

Dido & Aeneas Act III: When I am laid in earth (Dido)

Dioclesian, Act V, All our days and our nights shall be spent in delights

Vesperae de Dominica, K. 321: I. Dixit dominus

Vesperae de Dominica, K. 321: V. Laudate Dominum

Vesperae de Dominica, K. 321: VI. Magnificat

Dioclesian, Act V, Let monarchs fight for power and for fame

Soave sio il vento from 'Cosi fan Tutte'

Mass in B minor BWV 232: II. Kyrie: Christe eleison

Dioclesian, Act V, Ah! The sweet delights of love!

Jephtha: Act I, Scene 3. "Ill suits the voice of love when glory calls" / "Take the heart you fondly gave"

Dioclesian, Act III, What shall I do to show how much I love her?

Jephtha: Act I, Scene 6. "Say, my dear mother"

Jephtha: Act I, Scene 6. "The smiling dawn of happy days"

A Choral Fantasia, op. 51 (H 177): I. Man Born of Desire

A Choral Fantasia, op. 51 (H 177): V. Rejoice, Ye Dead

Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare"

Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum"

Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam"

Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)

Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze)

Die Entführung aus dem Serail: Aufzug I. "Ach, ich sagt' es wohl, du würdest mich hassen" (Konstanze, Selim, Pedrillo, Osmin, Belmonte)