Gwynne Howell

Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high"

Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery..."

Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide"

Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness"

Mass in D major "Missa Solemnis", Op. 123: III. Credo: Credo

Mass in D major "Missa Solemnis", Op. 123: III. Credo: Et incarnatus est

Mass in D major "Missa Solemnis", Op. 123: III. Credo: Et resurrexit

Mass in D major "Missa Solemnis", Op. 123: IV. Sanctus: Sanctus

Mass in D major "Missa Solemnis", Op. 123: IV. Sanctus: Benedictus

Mass in D major "Missa Solemnis", Op. 123: V. Agnus Dei: Agnus Dei

Mass in D major "Missa Solemnis", Op. 123: V. Agnus Dei: Dona nobis pacem

Duke Bluebeard’s Castle, Prologue: Auguries of Darkness and Desire

Duke Bluebeard’s Castle, The Arrival

Duke Bluebeard’s Castle, First Door: The Torture Chamber

Duke Bluebeard’s Castle, Second Door: The Armoury

Duke Bluebeard’s Castle, Third Door: The Treasury

Duke Bluebeard’s Castle, Fourth Door: The Garden of Flowers

Duke Bluebeard’s Castle, Fifth Door: Expansive Domains

Duke Bluebeard’s Castle, Sixth Door: The Lake of Tears

Duke Bluebeard’s Castle, Seventh Door

St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus)

St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus)

St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent)

St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus)

St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus)

St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al.

St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al.

St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative)

Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together..."

Symphony No. 9 in D minor, Op. 125 "Choral"

Messiah: No. 42 Recitative: Behold, I tell you a mystery / No. 43 Air: The trumpet shall sound

Mass in D major "Missa Solemnis", Op. 123: II. Gloria: Gloria in excelsis Deo.

Mass in D major "Missa Solemnis", Op. 123: I. Kyrie

Guillaume Tell : Acte I, scène 2. « Près des torrents qui grondent » (Chorus)

Mass in C minor, K. 427: Benedictus

Guillaume Tell : Acte I, scène 3. « Contre les feux du jour que mon toit solitaire » (Tell, Melchthal)

Tosca: Atto III. “Vi resta un’ora” (Carceriere, Cavaradossi)

Tosca: Atto III. (Orchestra)… “Mario Cavaradossi?” (Carceriere)

Mass in D major "Missa Solemnis", Op. 123: II. Gloria: Quoniam

Mass in D major "Missa Solemnis", Op. 123: II. Gloria: Qui tollis

Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."

Guillaume Tell : Acte I, scène 6. « Des antiques vertus vous nous rendrez l'exemple » (Melchthal, Tell, Arnold)

Guillaume Tell : Acte I, scène 9. « Pâle et tremblant, se soutenant à peine » (Jemmy, Fisherman, Leuthold, Hedwige, Melchthal)

Guillaume Tell : Acte I, scène 11. No. 7 : Final « Dieu de bonté, Dieu tout-puissant » (Chorus, Rodolphe, Jemmy, Hedwige, Melchthal)

Guillaume Tell : Acte I, scène 11. Final « Ils vont parler » (Chorus, Rodolphe, Jemmy, Hedwige, Melchthal)

Un ballo in maschera: Atto I, scena 1. “Posa in pace, a' bei sogni ristora”

Symphony No. 9 in D minor, Op. 125 “Choral” (Finale)

Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite”

Un ballo in maschera: Atto III, scena 1. “Dunque l'onta di tutti sol una”

Messiah No. 36: Why Do the Nations So Furiously Rage Together? / No. 37: Let Us Break Their Bonds Asunder