John Ferrante
tenor
PersonHartford · United States · United States
53 tracks
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Catalog tracks
53
Popular
Highest Spotify popularity among credited catalog tracks.
Details
- Type
- Person
- Gender
- Male
- Location
- Hartford · United States · United States
- Active
- From Jan 24, 1925
Links
Official pages and profiles.
Catalog
Showing 50 of 53 catalog tracks.
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in”
John Ferrante
The Art of the Ground Round
John Ferrante
Cantata: Iphigenia in Brooklyn, S. 53162: Ⅰ. Aria / Ⅱ. Recitative / Ⅲ. Ground / Ⅳ. Recitative / Ⅴ. Aria
John Ferrante
Report From Hoople: Bright and Early Show: Commercial: “Do You Suffer?”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”
John Ferrante
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”
John Ferrante
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy
John Ferrante
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir
John Ferrante
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane
John Ferrante
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh
John Ferrante
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl
John Ferrante
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)
John Ferrante
Cantata: Blaues Gras (Bluegrass Cantata): Recitative and Aria “Blaues Gras”
John Ferrante
Cantata: Blaues Gras (Bluegrass Cantata): Recitative “O” / Aria “Du bist im Land”
John Ferrante
Cantata: Blaues Gras (Bluegrass Cantata): Recitative “O” / Duet “Ich sehe”
John Ferrante
Cantata: Blaues Gras (Bluegrass Cantata): Chorale “Ich gehe” / Duet: “Sag’ mir”
John Ferrante
Diverse Ayres on Sundrie Notions, S. 99 44/100: “Hear Me Through”
John Ferrante
Cantata: Iphigenia in Brooklyn, S. 53162: Aria
John Ferrante
Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
John Ferrante
Cantata: Iphigenia in Brooklyn, S. 53162: Ground
John Ferrante
Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
John Ferrante
Cantata: Iphigenia in Brooklyn, S. 53162: Aria
John Ferrante
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country”
John Ferrante
Hansel and Gretel and Ted and Alice
John Ferrante
The Stoned Guest, Part 1: Aria: “Look at me”
John Ferrante
The Stoned Guest, Part 1: Recitative: “That’s the end”
John Ferrante
Signature Theme / Intro / Echo Sonata for Two Unfriendly Groups of Instruments / Tag / Station Break / Commercial “Do you suffer?”
John Ferrante
Intro / Traumarei for Unaccompanied Piano / Station Break / Tag / Signature Theme
John Ferrante
What’s My Melodic Line? / Time / News
John Ferrante
The Stoned Guest (Completion): Ⅺ. Recitative: “I hate to interrupt” / Ⅻ. Quartet: “Don Octave” / XIII. Finale: “O saviour” / Announcement
John Ferrante
The Stoned Guest, Part 2: Recitative: “I hate to interrupt”
John Ferrante
The Stoned Guest, Part 2: Quartet: “Don Octave”
John Ferrante
The Stoned Guest, Part One: Ⅰ. Overture / Ⅱ. Aria: “Let’s face it — I’m lost” / Ⅲ. Recitative: “Boy!” / Ⅳ. Aria: “Now is the season” / Ⅴ. Recitative: “Gesundheit!” / Ⅵ. Duet: “Woe” / Ⅶ. Recitative: “Hark!” / Ⅷ. Aria: “Look at me” / Ⅸ. Recitative: “That’s the end” / Ⅹ. Trio: “I’m sure I’d be”
John Ferrante
Two Madrigals from The Triumphs of Thusnelda: “The Queen to me a royal pain doth give” / “My bonnie lass she smelleth”
John Ferrante
Half‐Act Opera “The Stoned Guest” (highlights)
John Ferrante
Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme”
John Ferrante
Oratorio: The Seasonings (S. ½ tsp.)
John Ferrante
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying”
John Ferrante
Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give”
John Ferrante
Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth”
John Ferrante
The Stoned Guest, Part 1: Trio: “I’m sure I’d be”
John Ferrante
MusicBrainz8f74c15a-55f1-4b6c-a8ba-f4c56075f848