Ann Murray

La finta semplice, K. 46a / KV 51: Act II, Scene II. Recitativo "Eh, quando sia mia sposa" (Giacinta, Simone)

Stabat Mater: IX. Fac me vere

25 Irish Songs, WoO 152 no. 8 "Come draw we round a cheerful ring"

La finta semplice, K. 46a / KV 51: Act I, Scene II. No. 3 Aria. Allegro grazioso - allegro - tempo primo - allegro "Marito io vorrei" (Giacinta)

La finta semplice, K. 46a / KV 51: Act II, Scene III. No. 14 Aria. Allegro comodo "Se a maritarmi arrivo" (Giacinta)

Stabat Mater: II. O quam tristis

12 Songs of Various Nationalities, WoO 157 no. 2: "The soldier"

25 Irish Songs, WoO 152 no. 5. On the Massacre of Glencoe

25 Irish Songs, WoO 152 no. 22 "From Garyone, my happy home"

25 Irish Songs, WoO 152 no. 16 "Hide not thy anguish"

Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour »

Così fan tutte: Atto II. No. 28 Aria. Allegretto vivace “È amore un ladroncello” (Dorabella)

Le nozze di Figaro, K. 492: Atto I, scena V. No. 6 Aria “Non so più cosa son, cosa faccio” (Cherubino)

Le Mort du nombre

Sérénade

12 Irish Songs, WoO 154 no. 2: "O harp of Erin"

25 Irish Songs, WoO 152 no. 23 "A wand’ring gypsey, Sirs, am I"

25 Irish Songs, WoO 152 no. 7 "His boat comes on the sunny tide"

Le martyre de saint Sébastien: I - La cour des lys, 1 Prélude, Lent - "Frère, que sera-t-il le monde"

25 Irish Songs, WoO 152 no. 14. Dermot and Shelah

Ma belle amie est morte

Boléro

Dido and Aeneas: Act III. "Thy hand, Belinda" (Dido)

Tosca: Atto III. “Io de’ sospiri” (Un pastore)

Two Songs for Alto With Viola and Piano, Op. 91: II. Geistliches Wiegenlied (nach Lope de Vega von Geibel). Andante con moto

Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)

Les Contes d’Hoffmann : « Belle nuit, ô nuit d’amour »

La battaglia di Legnano: Atto I. Egli vive!: "A frenarti, o cor..." (Lida, Imelda, Marcovaldo, ancelle)

La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 24 Aria. Allegro "Che scompiglio, che flagello" (Giacinta)

La battaglia di Legnano: Atto IV. Morire per la patria!: "Deus meus, pone illos ut rotam" (Coro nel tempio, Lida, Imelda, popolo milanese)

La clemenza di Tito: "Parto, ma tu ben mio"

Ave Maria

Au rossignol

Prière

Two Songs for Alto With Viola and Piano, Op. 91: I. Gestillte Sehnsucht (Rückert). Adagio espressivo

Ich denke dein

Um Mitternacht

Die Lebensgefährten

Lied der Desdemona

Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit)

Madrigali guerrieri, et amorosi, Libro ottavo, Canti amorosi: "Mentre vaga angioletta"

Loin du pays

Die Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. No. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit)

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel)

La Pâquerette

Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder"

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel)

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel)

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele)

La battaglia di Legnano: Atto III. L'infamia: "Lida, Lida? Ove corri?" (Imelda, Lida, Rolando)