Sir Edward Downes

Aleko: Aleko's cavatina

Symphony no. 9 in E minor, op. 28: IV. Allegro con grazia

Symphony no. 2 in E minor, op. 27: III. Adagio

Symphony no. 2 in E minor, op. 27: IV. Allegro vivace

Nimrod (Enigma Variations)

Luisa Miller: “Quando le sere al placido”

Maria Callas in conversation with Edward Downes: Music has to be well performed.

In the South: Alassio (excerpt)

Maria Callas in conversation with Edward Downes: I'd heard so many stories about you …

Maria Callas in conversation with Edward Downes: Well-now tell me-when you're singing the bel canto roles …

The Red Poppy Suite, op. 70: Phoenix / Russian Sailor’s Dance

Bronze Horseman Suite: I. i. Introduction

Bronze Horseman Suite: I. ii. On the Senate Square

Bronze Horseman Suite: I. iii. Dance on the Square

Le nozze di Figaro, K. 492: Overture

Bronze Horseman Suite: II. i. Eugene

Maria Callas in conversation with Edward Downes: Well, Madame Callas …

Maria Callas in conversation with Edward Downes: And the same thing seems to me …

Maria Callas in conversation with Edward Downes: But-you know-you are speaking of not being traditional …

Maria Callas in conversation with Edward Downes: You were speaking a moment ago about your 'first' career.

Maria Callas in conversation with Edward Downes: There is always a certain limit, even in 'corone' …

Maria Callas in conversation with Edward Downes: Tell me-one thing that I would have thought …

Maria Callas in conversation with Edward Downes: You know-there's another question …

Maria Callas in conversation with Edward Downes: You said that you have had to struggle …

Bronze Horseman Suite: II. ii. Parasha

Bronze Horseman Suite: II. iii. Lyric Scene

Bronze Horseman Suite: III. Dancing Scene

Bronze Horseman Suite: IV. i. Fortune-telling

Bronze Horseman Suite: IV. ii. Dancing in a Ring with Dancing

Bronze Horseman Suite: V. Meeting (second lyric scene)

Bronze Horseman Suite: VI. Waltz

Bronze Horseman Suite: VII. Anticipation (Beginning of the Storm)

Bronze Horseman Suite: VIII. Hymn to the Great City

Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato

Symphony no. 2 in E minor, op. 27: II. Allegro molto

Symphony no. 2 in E‐flat major, op. 63: I. Allegro vivace e nobilmente

Symphony no. 2 in E‐flat major, op. 63: II. Larghetto

Symphony no. 2 in E‐flat major, op. 63: III. Rondo

Symphony no. 2 in E‐flat major, op. 63: IV. Moderato e maestoso

Symphony no. 5 in D major, op. 18: I. Allegretto amabile

Symphony no. 5 in D major, op. 18: II. Lento - Andante

Symphony no. 5 in D major, op. 18: III. Allegro burlando

Symphony no. 5 in D major, op. 18: IV. Allegro risoluto e con brio

Symphony no. 9 in E minor, op. 28: I. Andante sostenuto - Moderato malinconico

Symphony no. 9 in E minor, op. 28: III. Lento molto

Symphony no. 9 in E minor, op. 28: II. Presto

Simon Boccanegra: Atto II. “O inferno! Amelia qui! ” … “Sento avvampar nell'anima … Cielo pietoso”

I due Foscari: “Ah si, ch'io senta ancora … Dal piu remoto esilio”

Macbeth: Atto IV. “O figli miei … Ah, la paterna mano”

Cello Concerto in E minor, op. 85: I. Adagio – Moderato